SOFTWARE

Neon Takes On A24 and Film Studios With Open Source SCP Foundation Movie

(today) · 3 min read · By Nath Connell

Key takeaways

  • A24 announced SCP Foundation film without consulting the Creative Commons community that built it
  • Neon countered with their own SCP Foundation film under genuine Creative Commons licensing, directly engaging with community
  • SCP Foundation built collaboratively by thousands of community writers since 2008, millions of monthly visitors

Sometimes in tech and entertainment, a seemingly small decision exposes a fundamental misunderstanding of how communities and creative work actually operate. A24 found that out the hard way when they announced they were making an SCP Foundation movie without bothering to ask permission from the SCP Wiki community. Then Neon, the film studio behind Longlegs, decided to directly challenge that move by announcing their own SCP Foundation film under a Creative Commons licence. What unfolded is a masterclass in how digital communities actually hold power, and why ignoring them is increasingly a business liability.

For people not deep into online horror communities, the SCP Foundation is enormous. We're talking millions of monthly visitors to the wiki, thousands of user-generated stories and artwork, an entire creative universe built collaboratively by a global community. The stories are free. The community contributions are free. The intellectual property technically belongs to the community under Creative Commons, which means you can build on it, adapt it, and create derivative works as long as you maintain the same licence and give attribution.

A24's move was the corporate move: announce a big budget film without engaging the community because technically, once something is Creative Commons, you can do that. The studio probably thought they were making a smart IP play. Get the rights cheap or free, build a high-budget film, profit. What they didn't account for was that Creative Commons communities are real, they're organised, and they have social media presence and audience loyalty. You can legally use Creative Commons material without asking permission. But disrespecting the community that created it is a different matter entirely.

Neon's counter-move is fascinating because it's not actually fighting A24 in court or trying to block their film legally. Instead, Neon is saying: we're making our own SCP Foundation film, we're making it right (by actually engaging with and respecting the community), and we're releasing it as a genuine Creative Commons project. It's a direct appeal to the SCP community saying: this studio gets what you've built, and we'll make something worthy of it.

What makes this genuinely clever is that Neon isn't some tiny indie studio. They're a legitimate production company with distribution capability and critical credibility. The fact that they're willing to make a big bet on respecting community IP and maintaining Creative Commons licensing is actually a statement about the business case for engaging with creator communities rather than exploiting them.

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There's a broader pattern here about how entertainment and software IP is evolving. The days when major studios could just acquire Creative Commons projects, slap a big budget on them, and ignore the original community are increasingly over. Not because of legal restrictions, but because audience loyalty matters more than it used to. If the SCP community and their fans see A24 making a film that misses the spirit of the original work, they'll be vocal about it. Social media ensures that criticism spreads fast. Neon's gamble is that respecting the community and making something authentic builds more durable audience goodwill than just owning the IP.

This also reflects something deeper about how creative work is changing. The SCP Foundation wasn't created by a studio. It was created by a community. The value isn't in the IP lock. The value is in the community's creative capacity and their audience loyalty. A studio trying to take that community's work without genuine engagement is kind of missing the entire point.

A24 will presumably still make their film. It might be great. But they started from a position of disrespect, and that's hard to recover from with a community that's already organised and vocal. Neon's move essentially says: the business model of the future isn't acquiring IP and squeezing profit out of it. It's engaging with communities, understanding what makes their work valuable, and building something that's genuinely worthy of their creative foundation.

The SCP Foundation itself is interesting as a cultural artefact. It's been built collectively since 2008. Thousands of writers have contributed. The community actively prevents any single creator from owning too much of the universe. It's genuinely collaborative and genuinely open. A24's approach treated it like a typical IP acquisition. Neon's approach treats it like what it actually is: a living creative community.

What's worth watching is whether this becomes a pattern. Will other communities and creators start demanding that studios engage respectfully before adapting their work? Will Creative Commons become more valuable because studios like Neon prove they can profit while respecting it? Or will most studios continue trying to own everything and hope audiences don't notice?

Sources

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